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cellspacing=5 cellpadding=0 width=604 style='width:362.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <td width=420 style='width:252.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p><span style='font-size:13.0pt;color:#2D93C6'>Literary Theory and History<o:p></o:p></span></p> </td> <td width=150 style='width:90.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p align=right style='text-align:right'><span style='font-size:9.5pt; color:#2D93C6'>August&nbsp;2010<o:p></o:p></span></p> </td> </tr> </table> <!-- INTRO TABLE --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=604 style='width:362.4pt;mso-cellspacing:3.0pt;background:white;mso-yfti-tbllook: 1184;mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><strong><span style='font-size:9.5pt; line-height:130%;font-family:"Arial","sans-serif";color:#000066'>Highlights</span></strong><span style='font-size:9.5pt;line-height:130%;font-family:"Arial","sans-serif"; color:#000066'><o:p></o:p></span></p> </td> </tr> </table> <!-- MAIN LISTINGS --><!-- INDIVIDUAL RECORD --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/1aeUFIdt9Ad2Qd3WD"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1026" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780199582563_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/1aeUI0qE2Q3T86014"><b><span style='color:#000099'>The Mind of the Child</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>Child Development in Literature, Science, and Medicine, 1840-1900</span></em><br> Sally Shuttleworth<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>In the 1840s novelists such as Brontë and Dickens began to explore the inner world of the child. Simultaneously the first psychiatric studies of childhood were appearing. Moving between literature and science, Sally Shuttleworth explores issues such as childhood fears, imaginary lands, sexuality, and the relation of the child to animal life.<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Hardback | 512 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£35.00</span></strong> | 8 July 2010 | 978-0-19-958256-3<o:p></o:p></span></p> </td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <!-- INDIVIDUAL RECORD --> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/1aeUKiDOW5UJpYW5v"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1027" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780192804419_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/1aeUMAQZPlLzHRS9W"><b><span style='color:#000099'>Modernism: A Very Short Introduction</span></b></a><br> Christopher Butler<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Whether we recognise it or not, virtually every aspect of our life today has been influenced in part by the aesthetic legacy of Modernism. In this <em><span style='font-family:"Arial","sans-serif"'>Very Short Introduction</span></em> Christopher Butler examines how and why Modernism began, explaining what it is and showing how it has gradually informed all aspects of 20th and 21st century life.<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Paperback | 136 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£7.99</span></strong> | 29 July 2010 | 978-0-19-280441-9<br> Series: <a href="http://academic-marketing.oup.com/c/1aeURbhlBRtghDKiO">Very Short Introductions</a> <o:p></o:p></span></p> </td> </tr> </table> <!-- INDIVIDUAL RECORD --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/1aeUTtuwv7k6zwGnf"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1028" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780199744572_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/1aeUVLHHonaWRpCrG"><b><span style='color:#000099'>The Gun and the Pen</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>Hemingway, Fitzgerald, Faulkner, and the Fiction of Mobilization</span></em><br> Keith Gandal<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:10.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:black'>Ernest Hemingway, F. Scott Fitzgerald, and William Faulkner stand as the American voice of the Great War. But was it warfare that drove them to write? Not according to Keith Gandal, who argues that the authors' famous postwar novels were motivated not by their experiences of the horrors of war but rather by their failure to have those experiences.</span><span style='font-size: 10.0pt;line-height:130%;font-family:"Arial","sans-serif";color:blue'> </span><span style='font-size:8.0pt;line-height:130%;font-family:"Arial","sans-serif"; color:#333333'><o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Paperback | 288 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£15.99</span></strong> | 29 July 2010 | 978-0-19-974457-2<o:p></o:p></span></p> </td> </tr> </table> <p style='margin-left:6.0pt'><strong><span style='font-size:9.5pt; color:#000066'>More titles from Oxford University Press</span></strong><span style='font-size:9.5pt;color:#000066'><o:p></o:p></span></p> <!-- INDIVIDUAL RECORD --> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><strong><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";color:#CC6600'>New in Paperback</span></strong><span style='font-size:8.0pt;line-height:130%; font-family:"Arial","sans-serif";color:#000099'><br> <a href="http://academic-marketing.oup.com/c/1aeUY3UShD1N9iyw7"><b><span style='color:#000099'>Homer in the Twentieth Century</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>Between World Literature and the Western Canon</span></em><br> Edited by Barbara Graziosi and Emily Greenwood<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Paperback | 336 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£25.00</span></strong> | 31 July 2010 | 978-0-19-959131-2<o:p></o:p></span></p> </td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <!-- INDIVIDUAL RECORD --> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><strong><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";color:#CC6600'>New in Paperback</span></strong><span style='font-size:8.0pt;line-height:130%; font-family:"Arial","sans-serif";color:#000099'><br> <a href="http://academic-marketing.oup.com/c/1aeV0m83aSSDrbuAy"><b><span style='color:#000099'>Classics in Post-Colonial Worlds</span></b></a><br> Edited by Lorna Hardwick and Carol Gillespie<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Paperback | 440 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£25.00</span></strong> | 29 July 2010 | 978-0-19-959132-9<o:p></o:p></span></p> </td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; 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