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style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <td width=420 style='width:252.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p><span style='font-size:13.0pt;color:#2D93C6'>Classical Studies<o:p></o:p></span></p> </td> <td width=150 style='width:90.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p align=right style='text-align:right'><span style='font-size:9.5pt; color:#2D93C6'>March 2010<o:p></o:p></span></p> </td> </tr> </table> <!-- INTRO TABLE --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=604 style='width:362.4pt;mso-cellspacing:3.0pt;background:white;mso-yfti-tbllook: 1184;mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'><o:p>&nbsp;</o:p></span></p> <p style='line-height:130%'><strong><span style='font-size:9.5pt; line-height:130%;font-family:"Arial","sans-serif";color:#000066'>Highlights</span></strong><span style='font-size:9.5pt;line-height:130%;font-family:"Arial","sans-serif"; color:#000066'><o:p></o:p></span></p> </td> </tr> </table> <!-- MAIN LISTINGS --><!-- INDIVIDUAL RECORD --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/18b7zSHUrn8P71zXb"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1026" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780195388749_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><strong><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";color:#CC6600'>New Edition</span></strong><span style='font-size:8.0pt;line-height:130%; font-family:"Arial","sans-serif";color:#000099'><br> <a href="http://academic-marketing.oup.com/c/18b7CaV5kCZFoUw1C"><b><span style='color:#000099'>Roman Homosexuality</span></b></a><br> Craig A. Williams<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Ten years after its original publication, <em><span style='font-family:"Arial","sans-serif"'>Roman Homosexuality</span></em> remains the definitive statement of this interesting but often misunderstood aspect of Roman culture. Learned yet accessible, the book has reached both students and general readers with an interest in ancient sexuality. This second edition features a new foreword by Martha Nussbaum, a completely rewritten introduction that takes account of new developments in the field, a rewritten and expanded appendix on ancient images of sexuality, and an updated bibliography.<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Paperback | 492 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£19.99</span></strong> | 4 February 2010 | 978-0-19-538874-9<o:p></o:p></span></p> </td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <!-- INDIVIDUAL RECORD --> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/18b7Et8gdSQvGNs63"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1027" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780199542741_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/18b7GLlr78HlYGoau"><b><span style='color:#000099'>Stand in the Trench, Achilles</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>Classical Receptions in British Poetry of the Great War</span></em><br> Elizabeth Vandiver<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>A study of the ways in which British poets of the First World War used classical literature, culture, and history as a source of images, ideas, and even phrases for their own poetry. Elizabeth Vandiver offers a new perspective on that poetry and on the history of classics in British culture. <o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Hardback | 480 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£75.00</span></strong> | 18 February 2010 | 978-0-19-954274-1<br> Series: <a href="http://academic-marketing.oup.com/c/18b7J3yC0oycgzkeV">Classical Presences</a> <o:p></o:p></span></p> </td> </tr> </table> <!-- INDIVIDUAL RECORD --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/18b7LlLMTEp2ysgjm"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1028" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780199216185_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/18b7PWc8Ga6J8e8se"><b><span style='color:#000099'>Xenophon</span></b></a><br> Edited by Vivienne J. Gray<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>A selection of important recent articles on Xenophon which will serve as an introduction to his writings by presenting current debates about the way in which to read them. A specially written introduction by Vivienne J. Gray places the articles in the context of Xenophon's life and works. <o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Paperback | 624 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£45.00</span></strong> | 4 February 2010 | 978-0-19-921618-5<br> Also Available as: <a href="http://academic-marketing.oup.com/c/18b7SepjzpXzq74wF">Hardback</a> Series: <a href="http://academic-marketing.oup.com/c/18b7UwCusFOpI00B6">Oxford Readings in Classical Studies</a> <o:p></o:p></span></p> </td> </tr> </table> <!-- INDIVIDUAL RECORD --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/18b7WOPFlVFfZSWFx"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1029" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780195376128_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/18b7Z72Qfbw6hLSJY"><b><span style='color:#000099'>Romantic Antiquity</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>Rome in the British Imagination, 1789-1832</span></em><br> Jonathan Sachs<o:p></o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=0 cellpadding=0 width="100%" style='width:100.0%;border-collapse:collapse;mso-yfti-tbllook: 1184'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <td style='padding:.75pt .75pt .75pt .75pt'> <p class=MsoNormal><span style='font-size:10.0pt;mso-fareast-font-family: "Times New Roman";color:#3A3A3A'>While scholars have long noted the fascination with Roman literature and history expressed by many preeminent British cultural figures of the early and middle-eighteenth century, they have only sparingly commented on the increasingly vexed role Rome played during the subsequent Romantic period. This critical oversight has skewed our understanding of British Romanticism as being either a full-scale rejection of classical precedents or an embrace of Greece at the expense of Rome. In contrast, <i>Romantic Antiquity</i> argues that Rome is relevant to the Romantic period not as the continuation of an earlier neoclassicism, but rather as a concept that is simultaneously transformed and transformative: transformed in the sense that new models of historical thinking produced a changed understanding of historicity itself and therefore a way to comprehend changes associated with modernity.</span><span style='mso-fareast-font-family: "Times New Roman"'><o:p></o:p></span></p> </td> </tr> </table> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Hardback | 314 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£55.00</span></strong> | 4 February 2010 | 978-0-19-537612-8<br> Series: <a href="http://academic-marketing.oup.com/c/18b81pg18rmWzEOOp">Classical Presences</a> <o:p></o:p></span></p> </td> </tr> </table> <p style='margin-left:6.0pt'><strong><span style='font-size:9.5pt; color:#000066'>More titles from Oxford University Press </span></strong><span style='font-size:9.5pt;color:#000066'><o:p></o:p></span></p> <!-- INDIVIDUAL RECORD --> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/18b83Htc1HdMRxKSQ"><b><span style='color:#000099'>A History of the Ancient World</span></b></a><br> Chester G. 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