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style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <td width=420 style='width:252.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p><span style='font-size:13.0pt;color:#2D93C6'>Twentieth Century Literature<o:p></o:p></span></p> </td> <td width=150 style='width:90.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p align=right style='text-align:right'><span style='font-size:9.5pt; color:#2D93C6'>March 2010<o:p></o:p></span></p> </td> </tr> </table> <!-- INTRO TABLE --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=604 style='width:362.4pt;mso-cellspacing:3.0pt;background:white;mso-yfti-tbllook: 1184;mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><strong><span style='font-size:9.5pt; line-height:130%;font-family:"Arial","sans-serif";color:#000066'>Highlights</span></strong><span style='font-size:9.5pt;line-height:130%;font-family:"Arial","sans-serif"; color:#000066'><o:p></o:p></span></p> </td> </tr> </table> <!-- MAIN LISTINGS --><!-- INDIVIDUAL RECORD --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/18b5CjrBcOYCHYr6v"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1026" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780199580347_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/18b5EBEM64PsZRnaW"><b><span style='color:#000099'>Conrad and History</span></b></a><br> Richard Niland<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>This book analyses the relationship between Conrad's work and three major subjects: the philosophy of history, nationalism (in Europe and Latin America), and Conrad's interest in French Romanticism and Napoleon Bonaparte. As well as discussing more well-known works, Niland re-evaluates the long-neglected late novels <em><span style='font-family:"Arial","sans-serif"'>The Rover </span></em>and<em><span style='font-family:"Arial","sans-serif"'> Suspense</span></em>. <o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Hardback | 240 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£55.00</span></strong> | 25 February 2010 | 978-0-19-958034-7<br> Series: <a href="http://academic-marketing.oup.com/c/18b5GTRWZkGjhKjfn">Oxford English Monographs</a> <o:p></o:p></span></p> </td> </tr> </table> <!-- INDIVIDUAL RECORD --> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --><!-- BIBLIO --> <td style='padding:3.0pt 3.0pt 3.0pt 3.0pt'></td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; display:none;mso-hide:all'><o:p>&nbsp;</o:p></span></p> <!-- INDIVIDUAL RECORD --> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- IMAGE --> <td width=90 valign=top style='width:54.0pt;padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p class=MsoNormal style='margin-top:12.0pt;margin-right:0cm;margin-bottom: 12.0pt;margin-left:0cm;line-height:130%'><span style='font-size:8.0pt; line-height:130%;font-family:"Arial","sans-serif";mso-fareast-font-family: "Times New Roman";color:#333333'><a href="http://academic-marketing.oup.com/c/18b5Jc57SAx9zDfjO"><span style='text-decoration:none;text-underline:none'><img border=0 height=130 id="_x0000_i1027" src="http://ukcatalogue.oup.com/images/en_US/covers/small/9780195393828_130.jpg" alt="jacket cover"></span></a><o:p></o:p></span></p> </td> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/18b5NMvtF6eQ9p7sG"><b><span style='color:#000099'>Ideographic Modernism</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>China, Writing, Media</span></em><br> Christopher Bush<o:p></o:p></span></p> <p style='line-height:130%'><em><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Ideographic Modernism</span></em><span style='font-size:8.0pt;line-height:130%; font-family:"Arial","sans-serif";color:#333333'> reconstructs the modernist invention of the &quot;ideograph&quot; (Chinese writing as imagined in the West) in relation to such other modern forms of writing as photography, phonography, cinematography, and telegraphy. Analyzing works by Pound, Kafka, Benjamin, and others, it recovers the presence of China in the text of modernism.<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Hardback | 202 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£32.50</span></strong> | 4 February 2010 | 978-0-19-539382-8<o:p></o:p></span></p> </td> </tr> </table> <p style='margin-left:6.0pt'><strong><span style='font-size:9.5pt; color:#000066'>More titles from Oxford University Press </span></strong><span style='font-size:9.5pt;color:#000066'><o:p></o:p></span></p> <!-- INDIVIDUAL RECORD --> <table class=MsoNormalTable border=0 cellspacing=5 cellpadding=0 width=584 style='width:350.4pt;mso-cellspacing:3.0pt;mso-yfti-tbllook:1184; mso-padding-alt:3.0pt 3.0pt 3.0pt 3.0pt;bgcolor: #ffffff'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes;mso-yfti-lastrow:yes'> <!-- BIBLIO --> <td valign=top style='padding:3.0pt 3.0pt 3.0pt 3.0pt'> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#000099'><a href="http://academic-marketing.oup.com/c/18b5Q4IEym5Gri3x7"><b><span style='color:#000099'>Stand in the Trench, Achilles</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>Classical Receptions in British Poetry of the Great War</span></em><br> Elizabeth Vandiver<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Hardback | 480 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£75.00</span></strong> | 18 February 2010 | 978-0-19-954274-1<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'><br> <a href="http://academic-marketing.oup.com/c/18b5SmVPrBWwJaZBy"><b><span style='color:#000099'>The Letters of Gertrude Stein and Virgil Thomson</span></b></a><br> <em><span style='font-family:"Arial","sans-serif"'>Composition as Conversation</span></em><br> Thomas Dilworth and Susan Holbrook<o:p></o:p></span></p> <p style='line-height:130%'><span style='font-size:8.0pt;line-height: 130%;font-family:"Arial","sans-serif";color:#333333'>Hardback | 348 pages<br> <strong><span style='font-family:"Arial","sans-serif"'>£32.50</span></strong> | 11 February 2010 | 978-0-19-538663-9<o:p></o:p></span></p> </td> </tr> </table> <p class=MsoNormal><span style='mso-fareast-font-family:"Times New Roman"; 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