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</o:shapelayout></xml><![endif]--> </head> <body bgcolor=white lang=RU link=blue vlink=blue style='tab-interval:35.4pt'> <div class=WordSection1> <p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span style='font-family:"Calibri","sans-serif";color:black'><o:p>&nbsp;</o:p></span></p> <p class=MsoNormal><o:p>&nbsp;</o:p></p> <div> <table class=MsoNormalTable border=0 cellspacing=0 cellpadding=0 width=689 style='width:413.4pt;mso-cellspacing:0cm;mso-yfti-tbllook:1184;mso-padding-alt: 0cm 0cm 0cm 0cm'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes'> <td width=689 colspan=2 style='width:413.4pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><img width=551 height=17 id="_x0000_i1025" src="http://www.cornerhouse.org/images/bulletin/books/banner_top.jpg"><o:p></o:p></span></p> </td> </tr> <tr style='mso-yfti-irow:1'> <td width=615 style='width:369.25pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/1" target="_blank"><span style='color:black;text-decoration:none;text-underline: none'><img border=0 width=321 height=53 id="_x0000_i1026" src="http://www.cornerhouse.org/images/bulletin/books/banner_logo.gif" alt=CORNERHOUSE></span></a><o:p></o:p></span></p> </td> <td width=74 valign=bottom style='width:44.15pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><b><span style='font-size:9.0pt;color:#782B90;text-transform: uppercase'><o:p>&nbsp;</o:p></span></b></p> </td> </tr> <tr style='mso-yfti-irow:2'> <td width=689 colspan=2 style='width:413.4pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><img border=0 width=551 height=85 id="_x0000_i1027" src="http://www.cornerhouse.org/images/bulletin/books/banner_bottom.jpg"><o:p></o:p></span></p> </td> </tr> <tr style='mso-yfti-irow:3;mso-yfti-lastrow:yes'> <td width=689 colspan=2 style='width:413.4pt;padding:0cm 0cm 0cm 0cm'> <div style='margin-top:12.0pt'> <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><span style='font-size:14.0pt;color:#782B90;text-transform:uppercase'>NEW TITLES  NOVEMBER 2010 <o:p></o:p></span></b></p> <table class=MsoNormalTable border=0 cellspacing=8 cellpadding=0 width=625 style='width:375.0pt;mso-cellspacing:4.8pt;mso-yfti-tbllook:1184;mso-padding-alt: 0cm 0cm 0cm 0cm'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/2"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1028" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3738/9783866784444r.jpg" alt="Mel Ramos cover images"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/3"><b><span style='color:black;text-decoration:none;text-underline:none'>100+ Drawings by Mel Ramos</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£27.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Women, pleasure, sex and entertainment  Mel Ramos´s images present the viewer with a dazzling, provocative, alluring and sometimes raunchy visual language.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:1'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/4"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1029" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3728/9783865609212.jpg" alt="adel abdessmed"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/5"><b><span style='color:black;text-decoration:none;text-underline:none'>Adel Abdessemed</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Silent Warriors<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£35.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Published to accompany the first solo exhibition dedicated to the work of Adel Abdessemed in London at Parasol unit.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:2'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/6"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1030" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3729/9783037641538.jpg" alt=Fairytale></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/7"><b><span style='color:black;text-decoration:none;text-underline:none'>Ai Weiwei</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Fairytale<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£17.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Fairytale</span></i><span style='font-size:9.0pt;color:#666666'> is a documentary film by the well-known Chinese artist, architect, curator and documentary filmmaker Ai Weiwei. It documents his project for Europe's most innovative five-yearly art event Documenta 12 in Kassel, Germany in 2007.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:3'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/8"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1031" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3469/9781905462308.jpg" alt="Alan Johnston book cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/9"><b><span style='color:black;text-decoration:none;text-underline:none'>Alan Johnston</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Drawing a Shadow: No Object<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£20.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This publication, designed in close collaboration with the artist, is primarily a pictorial documentation of the artist s new installation at the Henry Moore Institute, Leeds (February - May 2010). <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:4'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/10"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1032" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3681/9783037640807.jpg" alt="armin linke"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/11"><b><span style='color:black;text-decoration:none;text-underline:none'>Armin Linke</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Il Corpo dello Stato<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£25.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Commissioned by the Ministry of Cultural Heritage and Activities at the end of 2006, Italian photographer Armin Linke proposed a photographic mapping of all the institutions housed in various historical buildings in Rome.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:5'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/12"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1033" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3595/9780954544065.jpg" alt="Arrivals and Departures cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/13"><b><span style='color:black;text-decoration:none;text-underline:none'>Arrivals and Departures</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>New Art Perspectives of Hong Kong<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£10.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Marking the 10th anniversary of the handover of Hong Kong in 2007, the exhibition <i>Arrivals and Departures</i> brought together a range of artistic practices in response to notions of place, identity and belonging. This publication documents the show.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:6'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/14"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1034" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3624/9783869841366.jpg" alt="beauty as necessity"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/15"><b><span style='color:black;text-decoration:none;text-underline:none'>Beauty as Necessity</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Woven and Painted Material from the Otten Collection<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£25.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This catalogue from the Otten Kunstraum collection contrasts woven textiles and paintings. This book provides an unusual approach with some rarely seen art objects. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:7'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/16"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1035" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3625/9783869841151.jpg" alt="Behind jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/17"><b><span style='color:black;text-decoration:none;text-underline:none'>Behind the Fourth Wall</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Fictitious Lives  Lived Fictions<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£23.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In 18th century theatre, Denis Diderot s  Fourth Wall stood for the imaginary partition between the spaces of the stage and the auditorium, between the worlds of the imagination and reality<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:8'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/18"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1036" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3684/9783905770964.jpg" alt="black sphinx"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/19"><b><span style='color:black;text-decoration:none;text-underline:none'>Black Sphinx</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>On the Comedic in Modern Art<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£20.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In this book philosopher Simon Critchley and art historian Janet Whitmore discuss the modern origins of comedic genres and some of the key theoretical articulations of laughter and wit  by Freud, Bergson and others<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:9'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/20"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1037" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3685/9783037641415.jpg" alt="bruno serralongue"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/21"><b><span style='color:black;text-decoration:none;text-underline:none'>Bruno Serralongue</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£25.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>The series of images Bruno Serralongue produces, explains critic Pascal Beausse, <i> are the result of protocols which lead him to confront the concrete conditions under which information is produced and disseminated.</i><o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:10'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/22"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1038" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3689/9783037641408.jpg" alt="Grenier / Ristelhueber"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/23"><b><span style='color:black;text-decoration:none;text-underline:none'>Catherine Grenier</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Sophie Ristelhueber La guerre intérieure (French Edition)<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£11.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Why does one become an artist? How? To what extent is one an artist? Guided by direct questions from Catherine Grenier, Sophie Ristelhueber describes the atypical advance of an artist for whom nothing predetermined this late, but accomplished, destiny<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:11'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/24"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1039" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3656/9783865608406.jpg" alt="charles avery"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/25"><b><span style='color:black;text-decoration:none;text-underline:none'>Charles Avery</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Onomatopoeia. The Port<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£25.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Charles Avery has created an extraordinary and epic piece of artistic work, in which large format drawings and sculptures connect with and complement one another within a fictional narrative structure.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:12'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/26"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1040" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/2917/9783865605238.jpg" alt="charles avery"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/27"><b><span style='color:black;text-decoration:none;text-underline:none'>Charles Avery </span></b></a><o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>The Islanders. An Introduction<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£39.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Since 2004, Charles Avery has been working on his epic project entitled <i>The Islanders</i>. Avery uses drawing, installations, three-dimensional objects and writing to describe the topology, inhabitants and cosmology of an imagined 'terra incognita'.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:13'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/28"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1041" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3018/9783037640197.jpg" alt="Cristóbal Lehyt"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/29"><b><span style='color:black;text-decoration:none;text-underline:none'>Cristóbal Lehyt</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Drama Projection<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£23.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Cristóbal Lehyt is known for his large-scale drawings and sculptural installations. He has exhibited widely in the USA and in Latin America. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:14'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/30"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1042" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3633/batchelor.jpg" alt="batchelor monochromes"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/31"><b><span style='color:black;text-decoration:none;text-underline:none'>David Batchelor</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Found Monochromes Vol. 1, Nos. 1 - 250<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£28.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Since 1997, Batchelor has been photographing single square and rectangle planes of uninterrupted white that he passes as he walks through London and places he visits. They are the backs of signs, number plates, empty billboards or faded messages.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:15'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/32"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1043" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3750/9783905829006.jpg" alt="Diedrich jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/33"><b><span style='color:black;text-decoration:none;text-underline:none'>Diedrich Diederichsen </span></b></a><o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Argument son (French edition)<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£11.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>A collection of texts about music (from Britney Spears to Helmut Lachenmann) gathered from the numerous publications of the famous art and music critic and including many previously unpublished texts. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:16'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/34"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1044" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3746/9783832191085new.jpg" alt="olde jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/35"><b><span style='color:black;text-decoration:none;text-underline:none'>Emil Nolde</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>My Wonderland from Sea to Sea<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£27.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In his autobiography, Emil Nolde (1867  1956) rhapsodised about the landscape of his native region: '<i>& my land, thousands of skylarks rejoiced up and down, my wonderland from sea to sea.</i>'<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:17'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/36"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1045" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3662/9783832193256A.jpg" alt="nilde jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/37"><b><span style='color:black;text-decoration:none;text-underline:none'>Emil Nolde</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Admired, Feared, and Desired  Emil Nolde Paints Women<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£27.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Emil Nolde never aspired to find a universally valid image of woman or to allocate her a sole form or role. Instead he described women with their diverse facets and tension-filled ambivalence in a wide range of contexts.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:18'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/38"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1046" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3694/9783037641293.jpg" alt="help me i am blind"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/39"><b><span style='color:black;text-decoration:none;text-underline:none'>Heidi Specker &amp; Theo Deutinger</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Help Me I Am Blind<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£15.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Help Me I Am Blind!</span></i><span style='font-size:9.0pt;color:#666666'>  two people in search of the intervening space. Heidi Specker's photographed views of Australia are answered by the daily described imaginings of Theo Deutinger in Rotterdam. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:19'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/40"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1047" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3725/9789516829657.jpg" alt="Hermann Kaufmann"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/41"><b><span style='color:black;text-decoration:none;text-underline:none'>Hermann Kaufmann</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Spirit of Nature Wood Architecture Award 2010<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£38.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In his architecture, Hermann Kaufmann adapts the well-renowned wood building tradition of his home region of the Vorarlberg mountains. He has placed particular emphasis on the research and development of the wood building process.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:20'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/42"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1048" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3751/9783037641330.jpg" alt="lost once more"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/43"><b><span style='color:black;text-decoration:none;text-underline:none'>Hinrich Sachs</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Lost Once More: Five Stories<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£13.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Lost Once More</span></i><span style='font-size:9.0pt;color:#666666'> combines five short stories with cars, caravans, and other vehicles as supporting actors  stories dealing with motion, weekend forays, pilgrimage, and time travel. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:21'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/44"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1049" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3696/9783037641392.jpg" alt="Quel cinéma"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/45"><b><span style='color:black;text-decoration:none;text-underline:none'>Jean-Michel Bouhours</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Quel cinéma (French Edition)<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£11.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>The selection of texts in this book represents a journey through pivotal moments of the history of experimental cinema.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:22'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/46"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1050" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3697/9783037641132.jpg" alt="jiri skala"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/47"><b><span style='color:black;text-decoration:none;text-underline:none'>Jiri Skala</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>One Family of Objects<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£17.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In this book Jiri Skala observes the social and economic transformations taking place in the Czech Republic in the past 20 years through the metamorphosing relationship of a worker and his/her machine<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:23'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/48"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1051" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3727/9781905464340border.jpg" alt="John Stezaker Silkscreens bordered image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/49"><b><span style='color:black;text-decoration:none;text-underline:none'>John Stezaker</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Silkscreens<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£32.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Although best known for his small-scale intimate collages of film stills, postcards and other found imagery, John Stezaker s silkscreens executed between 1977 and 1994, reveal another side of the artist. This book includes over 65 images and an essay.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:24'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/50"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1052" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3651/9781904864660.jpg" alt=utamaro></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/51"><b><span style='color:black;text-decoration:none;text-underline:none'>Kitagawa Utamaro</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£17.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This catalogue accompanies an exhibition at Ikon which is a survey of woodblock prints by Japanese artist Kitagawa Utamaro (c.1753 - 1806) from the collection of the British Museum. Curated by British artist Julian Opie and Timothy Clark (British Museum)<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:25'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/52"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1053" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3616/9783866784154.jpg" alt=Peru></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/53"><b><span style='color:black;text-decoration:none;text-underline:none'>Klaus Zinser</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Peru<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£68.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Photographer Klaus Zinser spent four years in Peru looking for traces of the past in the present, for clues to the contrasts between the archaic and the modern in the everyday lives of people in this fascinating country.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:26'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/54"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1054" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3686/9783037641514.jpg" alt=dreamworld></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/55"><b><span style='color:black;text-decoration:none;text-underline:none'>Leo Fabrizio</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Dreamworld<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£26.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This photographic project by Swiss artist Leo Fabrizio consists of observing the spatial consequences of the rapid transformation of cities under the influence of globalization.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:27'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/56"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1055" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3277/9783940748539.jpg" alt="Manfred Pernice"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/57"><b><span style='color:black;text-decoration:none;text-underline:none'>Manfred Pernice</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Que-Sah<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£38.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Published to accompany the largest solo exhibition on the artist organised by The Neue Museum in Nuremberg<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:28'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/58"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1056" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3637/9783869841359.jpg" alt="mapping worlds jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/59"><b><span style='color:black;text-decoration:none;text-underline:none'>Mapping Worlds</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Understanding Worlds: Setting off for the Present<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£25.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Mapping Worlds sees itself as a temporary laboratory of photography with images of our world, seen from today s and from an historical perspective<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:29'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/60"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1057" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3698/9783037641569.jpg" alt="duchamp and the forestay waterfall"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/61"><b><span style='color:black;text-decoration:none;text-underline:none'>Marcel Duchamp and the Forestay Waterfall</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In August 1946, Marcel Duchamp spent five weeks in Switzerland, including five days at the Hotel Bellevue (today, Le Baron Tavernier) near Chexbres, on Lake Geneva. During his stay he discovered the Forestay waterfall<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:30'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/62"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1058" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3730/9783866783195.jpg" alt="MichaB Budny"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/63"><b><span style='color:black;text-decoration:none;text-underline:none'>MichaB Budny</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£30.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>By using the simplest tools and materials  predominantly paper and cardboard  MichaB Budny creates formally restrained models not only of objects, places and situations, but also of phenomena which do not have a fixed material form<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:31'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/64"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1059" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3733/9781903796436.jpg" alt="Myth, Manners and Memory"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/65"><b><span style='color:black;text-decoration:none;text-underline:none'>Myth, Manners and Memory</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Photographers of the American South<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£7.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Combining historical and contemporary work from Walker Evans, William Eggleston, William Christenberry, Carrie Mae Weems, Alec Soth and Susan Lipper, this book brings together a number of prominent American photographers<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:32'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/66"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1060" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3737/9783866784529r.jpg" alt="Not in Fashion "></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/67"><b><span style='color:black;text-decoration:none;text-underline:none'>Not in Fashion</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Photography and Fashion in the 90s<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£39.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>How does fashion change our view of the world? How does photography change our view of fashion? In the 1990s, the fashion scene fundamentally reinvented itself, mainly through the medium of photography.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:33'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/68"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1061" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3752/9783037641606.jpg" alt="olaf breuning"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/69"><b><span style='color:black;text-decoration:none;text-underline:none'>Olaf Breuning</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Queen Mary II<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£16.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Queen Mary II</span></i><span style='font-size:9.0pt;color:#666666'> Olaf Breuning gathers more than 70 recent drawings, which combine memory and daydream, humour and subversion. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:34'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/70"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1062" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3636/9781899926084.jpg" alt="People, Places, Process cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/71"><b><span style='color:black;text-decoration:none;text-underline:none'>People, Places, Process: The Shops Project</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>FrenchMottershead<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£12.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This publication compiles four years of research, documentation and artworks that has resulted in FrenchMottershead's international <i>Shops</i> project.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:35'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/72"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1063" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3735/9783037641316.jpg" alt="Some Scenic Views"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/73"><b><span style='color:black;text-decoration:none;text-underline:none'>Philipp Lachenmann</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Some Scenic Views<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Some Scenic Views</span></i><span style='font-size:9.0pt;color:#666666'> - the title of Philipp Lachenmann's first monograph - reflects his work's camouflage strategy. Presenting 80 photographs of unspectacular views, the book reveals the process of hiding complex meaning behind a surface of normalcy<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:36'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/74"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1064" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3680/golia.jpg" alt=Golia></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/75"><b><span style='color:black;text-decoration:none;text-underline:none'>Piero Golia</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Desert Interviews or How to Jump off the Roof and Not Hit the Ground<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£13.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In 2005, with his long-time friend Eric Wesley, Piero Golia founded the Mountain School of Arts. This was an educational structure that rapidly became a new spot on the cultural map of Los Angeles. This book presents a kind of report on this institution.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:37'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/76"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1065" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3714/Nouvel%20copy.jpg" alt="Nouvel Serpentine Pavilion 2010"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/77"><b><span style='color:black;text-decoration:none;text-underline:none'>Red Summer in Kensington Gardens by Jean Nouvel</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£26.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This unique publication accompanies the Serpentine Gallery Pavilion 2010 designed by renowned French architect Jean Nouvel. It is the architect s first completed building in the UK.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:38'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/78"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1066" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3731/9781903796412.jpg" alt="Rinko Kawauchi"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/79"><b><span style='color:black;text-decoration:none;text-underline:none'>Rinko Kawauchi</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Murmuration<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£15.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Murmuration</span></i><span style='font-size:9.0pt;color:#666666'> presents a new Photoworks commission by acclaimed Japanese photographer Rinko Kawauchi for the Brighton Photo Biennial 2010.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:39'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/80"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1067" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3734/9783037641545.jpg" alt="Rive gauche/Rive droite"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/81"><b><span style='color:black;text-decoration:none;text-underline:none'>Rive gauche / Rive droite</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£7.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>The publication includes the work of 27 international artists, such as Michael Bauer, Michael Cline, Andreas Hofer, David Noonan, Sterling Ruby, Jim Shaw, and Lucy Stein, and brings together their responses to a questionnaire<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:40'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/82"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1068" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3747/9783037641545.jpg" alt="Rive Gauch jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/83"><b><span style='color:black;text-decoration:none;text-underline:none'>Rive Gauche / Rive Droite </span></b></a><o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>(French edition)<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£7.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>The publication includes the work of 27 international artists, such as Michael Bauer, Michael Cline, Andreas Hofer, David Noonan, Sterling Ruby, Jim Shaw, and Lucy Stein, and brings together their responses to a questionnaire <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:41'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/84"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1069" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3679/9783037641460web.jpg" alt="gander jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/85"><b><span style='color:black;text-decoration:none;text-underline:none'>Ryan Gander</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Catalogue Raisonnable Vol. 1<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£45.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Ryan Gander: Catalogue Raisonnable Vol. 1 </span></i><span style='font-size: 9.0pt;color:#666666'>was conceived by Åbäke as a  reasonable alternative to a catalogue raisonné for the artist. It documents over 500 works made during a 10 year period.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:42'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/86"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1070" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3723/9783037641187.jpg" alt="Scott King jpeg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/87"><b><span style='color:black;text-decoration:none;text-underline:none'>Scott King</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Art Works<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Scott King's work adopts an idiosyncratic and multilayered approach that simultaneously embraces the worlds of art, advertising, graphic design, semiotics, politics, and popular culture. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:43'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/88"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1071" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3642/9783869841052.jpg" alt="Steps jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/89"><b><span style='color:black;text-decoration:none;text-underline:none'>Steps into the Arcane / Schritte ins Verborgene</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Art and the Mysterious<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£20.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Secrets have always had the capacity to fascinate us, but also to make us afraid. A wide spectrum of our emotional world is connected to secret things.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:44'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/90"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1072" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3701/9783037641439a.jpg" alt=gupta></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/91"><b><span style='color:black;text-decoration:none;text-underline:none'>Subodh Gupta</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Common Man<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>The creator of monumental sculptures that threaten spectacular dissolution at any moment, of refulgent photorealist paintings and playfully provocative installations, Subodh Gupta defies easy definition<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:45'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/92"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1073" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3618/9783866784291.jpg" alt="Fate of Irony cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/93"><b><span style='color:black;text-decoration:none;text-underline:none'>The Fate of Irony</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£27.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Irony is one of the defining characteristics of postmodernism but has it now fallen victim to an ironic twist of fate? <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:46'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/94"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1074" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3661/9783832193430.jpg" alt="the more i draw"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/95"><b><span style='color:black;text-decoration:none;text-underline:none'>The More I Draw</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£37.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>The More I Draw</span></i><span style='font-size:9.0pt;color:#666666'> and the exhibition at Museum für Gegenwartskunst Siegen, 5 September 2010  13 February 2011, provides a survey of the current practice of drawing and its historic roots in the 1960s.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:47'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/96"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1075" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3675/sadotti%201.jpg" alt="Giorgio Sadotti"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/97"><b><span style='color:black;text-decoration:none;text-underline:none'>THE THE THINGS IS (FOR 3)</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£10.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>Published on the occasion of the exhibition at Milton Keynes Gallery (9 July  12 September 2010) this catalogue presents the work of Giorgio Sadotti, a London-based artist who emerged in the early 1990s<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:48'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/98"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1076" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3438/9781904864646.jpg" alt="This Could Happen to You inside 1"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/99"><b><span style='color:black;text-decoration:none;text-underline:none'>This Could Happen to You</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Ikon in the 1970s<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£14.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This catalogue accompanies an exhibition which surveys Ikon Gallery s artistic programme during c1970  1978. It is the second chapter in the story of Ikon, following on from the 2004 exhibition, <i>The best things in life happen accidentally</i>. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:49'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/100"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1077" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3745/9781905462322.jpg" alt="Undone cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/101"><b><span style='color:black;text-decoration:none;text-underline:none'>Undone</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Making and Unmaking in Contemporary Sculpture<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£10.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;color:#666666'>Undone</span></i><span style='font-size:9.0pt;color:#666666'> brings together sculptures by 20 artists working across Europe and North and South America, united by a common aesthetic that lies on the threshold between made and unmade. They propose a new direction for sculpture today.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:50'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/102"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1078" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3663/9780863556463.jpg" alt="Villa Frankenstein cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/103"><b><span style='color:black;text-decoration:none;text-underline:none'>Villa Frankenstein. Volume 1. Close Looking</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>The Journal of the British Pavilion, 12th International Architecture Exhibition<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£8.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This is the first in a three-part publication exploring the themes of Villa Frankenstein, the British Pavilion at the 12th International Architecture Exhibition in Venice.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:51'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/104"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1079" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3442/9781899846535.jpg" alt="Emoional Learning Cards 2 cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/105"><b><span style='color:black;text-decoration:none;text-underline:none'>Who Are You? Where Are You Going?</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Emotional Learning Cards<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£12.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>This set of cards has been designed as a resource to stimulate creative exploration around themes relating to personal, family and cultural changes and transitions. It features work by a diverse range of established and emerging international artists.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:52;mso-yfti-lastrow:yes'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/106"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1080" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3619/9783866784093.jpg" alt="Yesterday will be Better"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt'><a href="http://cornerhouse.glittermail.net/t/9Y_aASN_vkS34ykjKMttoA/107"><b><span style='color:black;text-decoration:none;text-underline:none'>Yesterday Will Be Better</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:black'>Taking Memory into the Future<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#757575'>£38.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>In recent years, the theme of memory in the sense of  mnemonics  has been the subject of many discourses and projects. Yesterday Will Be Better tackles interfaces between past and future that have scarcely been addressed. <o:p></o:p></span></p> </div> </td> </tr> </table> <p class=MsoNormal><span style='font-size:9.0pt;color:#666666'>&nbsp;<o:p></o:p></span></p> </div> <p class=MsoNormal><span style='font-size:9.0pt'><o:p>&nbsp;</o:p></span></p> </td> </tr> </table> </div> <p class=MsoNormal><span lang=EN-GB style='font-family:"Times New Roman","serif"; mso-fareast-font-family:"Times New Roman";mso-ansi-language:EN-GB'><o:p>&nbsp;</o:p></span></p> </div> </body> </html>