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<![endif]--><!--[if gte mso 9]><xml> <o:shapedefaults v:ext="edit" spidmax="1026"/> </xml><![endif]--><!--[if gte mso 9]><xml> <o:shapelayout v:ext="edit"> <o:idmap v:ext="edit" data="1"/> </o:shapelayout></xml><![endif]--> </head> <body bgcolor=white lang=RU link=blue vlink=blue style='tab-interval:35.4pt'> <div class=WordSection1> <p class=MsoNormal style='mso-layout-grid-align:none;text-autospace:none'><span style='font-family:"Calibri","sans-serif";color:black'><o:p>&nbsp;</o:p></span></p> <p class=MsoNormal><o:p>&nbsp;</o:p></p> <div> <p class=MsoNormal><span lang=EN-GB style='mso-fareast-font-family:"Times New Roman"; mso-ansi-language:EN-GB'><o:p>&nbsp;</o:p></span></p> </div> <div> <table class=MsoNormalTable border=0 cellspacing=0 cellpadding=0 width=689 style='width:413.4pt;mso-cellspacing:0cm;mso-yfti-tbllook:1184;mso-padding-alt: 0cm 0cm 0cm 0cm'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes'> <td width=689 colspan=2 style='width:413.4pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><img width=551 height=17 id="_x0000_i1025" src="http://www.cornerhouse.org/images/bulletin/books/banner_top.jpg"><o:p></o:p></span></p> </td> </tr> <tr style='mso-yfti-irow:1'> <td width=615 style='width:369.25pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/1" target="_blank"><span style='color:black;text-decoration:none;text-underline: none'><img border=0 width=321 height=53 id="_x0000_i1026" src="http://www.cornerhouse.org/images/bulletin/books/banner_logo.gif" alt=CORNERHOUSE></span></a><o:p></o:p></span></p> </td> <td width=74 valign=bottom style='width:44.15pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><b><span style='font-size:11.0pt;font-family:"Arial","sans-serif"; color:#782B90;text-transform:uppercase'><o:p>&nbsp;</o:p></span></b></p> </td> </tr> <tr style='mso-yfti-irow:2'> <td width=689 colspan=2 style='width:413.4pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><img border=0 width=551 height=85 id="_x0000_i1027" src="http://www.cornerhouse.org/images/bulletin/books/banner_bottom.jpg"><o:p></o:p></span></p> </td> </tr> <tr style='mso-yfti-irow:3;mso-yfti-lastrow:yes'> <td width=689 colspan=2 style='width:413.4pt;padding:0cm 0cm 0cm 0cm'> <div style='margin-top:12.0pt'> <p class=MsoNormal style='mso-margin-top-alt:auto;mso-margin-bottom-alt:auto'><b><span style='font-size:14.0pt;font-family:"Arial","sans-serif";color:#782B90; text-transform:uppercase'>NEW TITLES  DECEMBER 2010<o:p></o:p></span></b></p> <table class=MsoNormalTable border=0 cellspacing=8 cellpadding=0 width=625 style='width:375.0pt;mso-cellspacing:4.8pt;mso-yfti-tbllook:1184;mso-padding-alt: 0cm 0cm 0cm 0cm'> <tr style='mso-yfti-irow:0;mso-yfti-firstrow:yes'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/2"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1028" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3724/9781905476510.jpg" alt=accumulation></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/3"><b><span style='color:black;text-decoration:none;text-underline:none'>Accumulation</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Experiencing the City<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£5.99 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Accumulation</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> considers ways in which our idea of the urban is made up of an accumulation of experiences which shape the way we respond, as well as the experiences we form, of our everyday environment.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:1'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/4"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1029" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3756/9783832192532.jpg" alt="Alexander Mihaylovich"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/5"><b><span style='color:black;text-decoration:none;text-underline:none'>Alexander Mihaylovich</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£47.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The American artist Alexander Mihaylovich comprehends his work as a '<i>modest tribute to a great civilisation of the past',</i> and he has dealt intensely with classical antiquity since the late nineteen seventies. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:2'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/6"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1030" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3782/9780955761089.jpg" alt="andrew lord"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/7"><b><span style='color:black;text-decoration:none;text-underline:none'>Andrew Lord</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£30.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Since his earliest exhibitions in the late 1970s, the British artist, Andrew Lord has experimented with clay, plaster, beeswax, bronze, drawing, printmaking and video. This publication provides the first overview of the artist s career<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:3'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/8"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1031" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3682/9783037641477.jpg" alt="atlas of transformation"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/9"><b><span style='color:black;text-decoration:none;text-underline:none'>Atlas of Transformation</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Atlas of Transformation</span></i><span style='font-size: 9.0pt;font-family:"Arial","sans-serif";color:#666666'>, with almost 900 pages, is a sort of global guidebook of transformation processes. With structured entries, its goal is to create a tool for the intellectual grasping of the processes of social and political change<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:4'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/10"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1032" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3708/9783865608338.jpg" alt="Bettina Pousttchi Echo Berlin cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/11"><b><span style='color:black;text-decoration:none;text-underline:none'>Bettina Pousttchi</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Echo Berlin<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Pousttchi s staged photographs reûect on the individual s faculty of memory and the suggestive role that the medium of photography plays in it<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:5'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/12"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1033" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3614/9781853322860a.jpg" alt="BAS 7"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/13"><b><span style='color:black;text-decoration:none;text-underline:none'>British Art Show 7</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>In the Days of the Comet<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£19.99 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>British Art Show 7</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> is curated by Lisa Le Feuvre and Tom Morton and they have selected 39 artists on the grounds of their significant contribution to contemporary art in the last five years. All artworks included have been produced since 2005...<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:6'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/14"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1034" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3754/9783866784635.jpg" alt="Bruno Aveillan"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/15"><b><span style='color:black;text-decoration:none;text-underline:none'>Bruno Aveillan</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>MNEMO # LUX<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£38.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Bruno Aveillan can visually secure scarcely audible notes of everyday life with the utmost sensitivity and certainty. He constantly celebrates the elevation of a motif from everyday life to the fine line between figurative representation and abstraction<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:7'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/16"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1035" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3443/9783865607829.jpg" alt="Candice Breitz Scripted Life cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/17"><b><span style='color:black;text-decoration:none;text-underline:none'>Candice Breitz</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>The Scripted Life<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£49.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Identity formation and media life  two dominant and recurring themes in the work of Candice Breitz  form the leitmotif of the artist´s solo exhibition <i>The Scripted Life</i> at the Kunsthaus Bregenz<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:8'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/18"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1036" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3505/9783865606334.jpg" alt="wynn evans / obrist"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/19"><b><span style='color:black;text-decoration:none;text-underline:none'>Cerith Wyn Evans / Hans Ulrich Obrist</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>The Conversation Series 24<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£19.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Cerith Wyn Evans talks to Hans Ulrich Obrist in a very open manner about his career as a video and filmmaker, initially assisting Derek Jarman, and then making experimental films during the 1980s.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:9'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/20"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1037" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3709/9783865608055.jpg" alt="Changing Channels cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/21"><b><span style='color:black;text-decoration:none;text-underline:none'>Changing Channels </span></b></a><o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Art and Television 1963  1987<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£38.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Changing Channels</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> presents an historical survey of arts confrontation with the mass medium of television.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:10'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/22"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1038" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3787/9783832191115R.jpg" alt="Dan Graham cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/23"><b><span style='color:black;text-decoration:none;text-underline:none'>Dan Graham</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Collector's Choice Volume 8<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£37.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Author Gregor Stemmrich traces the development of Dan Graham's art and shows how Graham counteracts a culturally predominating use of media.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:11'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/24"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1039" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3739/9783866784475.jpg" alt="Daniel Spoerri cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/25"><b><span style='color:black;text-decoration:none;text-underline:none'>Daniel Spoerri</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Black on Wise<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Daniel Spoerri made his name as a visual artist with his  snare pictures and as a pioneer of Eat Art. In his 80th year, Spoerri pays homage to Hans Arp, after whom the Arp Museum is named. Accompanies an exhibition<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:12'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/26"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1040" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3603/9780854329090.jpg" alt=dawnbreakers></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/27"><b><span style='color:black;text-decoration:none;text-underline:none'>Dawnbreakers</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£5.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>With the new millennium, and the Y2K problem never happening, in just one second The Industrial Age became the Information Age. <i>Dawnbreakers</i> brings together contemporary artists of mixed disciplines and uses this historical moment as the backdrop.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:13'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/28"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1041" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3741/9783865608758.jpg" alt="Derek Jarman cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/29"><b><span style='color:black;text-decoration:none;text-underline:none'>Derek Jarman</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Super8<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£28.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The stills from Derek Jarman's lesser known Super 8 films are published here as a series for the first time.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:14'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/30"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1042" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3775/9783865608024.jpg" alt="Dierk Schmidt"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/31"><b><span style='color:black;text-decoration:none;text-underline:none'>Dierk Schmidt</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>The Division of the Earth: Tableaux on the Legal Synopsis of the Berlin Africa Conference<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£36.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>In 1884 - 85, the European powers and the USA met in Berlin to prepare the division of the entire African continent through an 'international' act of law.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:15'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/32"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1043" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3785/9783832190835R.jpg" alt="Nolde Journey into the South Seas cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/33"><b><span style='color:black;text-decoration:none;text-underline:none'>Emil Nolde</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>The Journey to the South Seas<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>In 1913 Emil Nolde and his wife joined a government sponsored expedition to German New Guinea, travelling by way of Siberia, Korea, Japan, China and the Philippines. Here are the vibrant landscapes and portraits that Nolde created during his travels.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:16'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/34"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1044" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3783/9783832193515R.jpg" alt="Emil Nolde Kindred Spirits cover with border"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/35"><b><span style='color:black;text-decoration:none;text-underline:none'>Emile Nolde and Emil Schumacher</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Kindred Spirits<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Nolde and Schumacher are united by an unconditional search for a painterly expression of their inner pictorial worlds. This book casts light on the visual connection between Expressionism and Abstract Expressionism in the work of these 2 masters<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:17'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/36"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1045" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3781/9783865608109.jpg" alt="Emmett Williams"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/37"><b><span style='color:black;text-decoration:none;text-underline:none'>Emmett Williams</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Sweethearts<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£18.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>'Emmett William s <i>Sweethearts</i> is a breakthrough. It is to concrete poetry as <i>Wuthering Heights</i> is to the English novel; as <i>Guernica</i> is to modern art.'<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:18'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/38"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1046" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3769/9783865608840a.jpg" alt="every artist is a human..."></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/39"><b><span style='color:black;text-decoration:none;text-underline:none'>Every Artist is a Human Being / Jeder Künstler ist ein Mensch </span></b></a><o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£36.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>This volume shows that the self-portrait has lost none of its topicality in the second half of the 20th century.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:19'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/40"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1047" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3767/9783865608598.jpg" alt="the new art"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/41"><b><span style='color:black;text-decoration:none;text-underline:none'>Exhibiting the New Art</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>'Op Losse Schroeven' and 'When Attitudes Become Form' 1969<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£14.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The 'new art' of the late 1960s was shown in two landmark exhibitions in 1969: <i>Op Losse Schroeven</i> and <i>When Attitudes Become Form</i>. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:20'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/42"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1048" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3657/9783832193225.jpg" alt="porsche jpeg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/43"><b><span style='color:black;text-decoration:none;text-underline:none'>Ferdinand Porsche</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Hybrid Automobile Pioneer<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£14.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>At the age of only 24, Ferdinand Porsche caused a sensation at the 1900 Exposition Universelle in Paris: he presented an electric automobile there, the so-called Lohner-Porsche that would make history with its innovative wheel hub motor. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:21'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/44"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1049" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3712/upritchard.jpg" alt="francis upritchard"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/45"><b><span style='color:black;text-decoration:none;text-underline:none'>Francis Upritchard</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>In die Höhle<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£28.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>This artist s book, published on the occasion of Francis Upritchard s exhibition In die Höhle (In hell) at the Vienna Secession in 2010, stands out in its extraordinary design and conception.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:22'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/46"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1050" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3771/9783865608642.jpg" alt="Frank Nitsche"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/47"><b><span style='color:black;text-decoration:none;text-underline:none'>Frank Nitsche</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Cocktailhybridconcept<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£16.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Frank Nitsche s abstract paintings are hybrid still lifes, full of complex references to as yet unknown connections and classification systems.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:23'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/48"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1051" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3772/9783865608192.jpg" alt="Gerhard Richter - Sinbad"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/49"><b><span style='color:black;text-decoration:none;text-underline:none'>Gerhard Richter</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Sindbad<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£120.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Since publishing <i>War Cut</i> in 2004, Gerhard Richter s special interest has been a new group of works  autonomous artists books. <i>Sindbad</i> is the title of a series of 98 lacquer pictures, painted on the back of panes of glass from 2008.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:24'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/50"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1052" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3666/9781907468025.jpg" alt="Getting Inside Jack Kerouac's Head"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/51"><b><span style='color:black;text-decoration:none;text-underline:none'>Getting Inside Jack Kerouac's Head</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Simon Morris<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£8.99 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Simon Morris's retyping of <i>On the Road</i> which is, according to Craig Dworkin, <i>'not only a remarkable performance - of endurance, concentration, and apprenticeship - it is also a deadpan experiment in textural literary criticism.'</i><o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:25'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/52"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1053" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3762/9783865608451.jpg" alt="Human Condition cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/53"><b><span style='color:black;text-decoration:none;text-underline:none'>Human Condition</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Empathy and Emancipation in Precarious Times<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£29.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Human Condition</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> examines rites of passage that have been affected by the social, political and cultural developments in various societies in the new century. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:26'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/54"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1054" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3713/9783865608130.jpg" alt="Stockdale jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/55"><b><span style='color:black;text-decoration:none;text-underline:none'>Jane Stockdale</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>I Predict A Riot<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£17.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>This is the first book by Scottish photographer Jane Stockdale and documents the G20 demonstrations that took place in London in April 2009<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:27'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/56"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1055" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3765/9783865608727.jpg" alt="john bock"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/57"><b><span style='color:black;text-decoration:none;text-underline:none'>John Bock</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>FischGrätenMelkStand<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£28.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>For many, this exhibition, curated and installed by John Bock, is the most radical and interesting art event in Berlin in 2010.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:28'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/58"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1056" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3646/9780907738985.jpg" alt="Kerry Tribe cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/59"><b><span style='color:black;text-decoration:none;text-underline:none'>Kerry Tribe</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Dead Star Light<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£14.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>This publication, which includes texts by Juli Carson, Anne Ellegood, Nav Haq and Martin Herbert, accompanies an exhibition by artist Kerry Tribe in 2010 (Arnolfini, Bristol; Camden Arts Centre; London, Modern Art Oxford). <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:29'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/60"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1057" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3770/9783865609151.jpg" alt="Klara Lidén"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/61"><b><span style='color:black;text-decoration:none;text-underline:none'>Klara Liden</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Klara Lidén s subversive responses to our social spaces and conventions raise the question of how we might re-appropriate privatized, urban space, and recall a long history of performative and conceptual work.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:30'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/62"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1058" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3736/9781905620548.jpg" alt="loud flash"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/63"><b><span style='color:black;text-decoration:none;text-underline:none'>LOUD FLASH</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>British Punk on Paper<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£20.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>More than any movement before or since, Punk was defined by the poster. Excluded from TV and daytime radio, struggling to be heard in the mainstream press, posters provided an effective - and virtually free - means for bands to reach the public<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:31'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/64"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1059" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3716/9780920293768.jpg" alt="Roe Ethridge / Cheyney Thompson"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/65"><b><span style='color:black;text-decoration:none;text-underline:none'>Lynn Valley # 6</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Roe Ethridge / Cheyney Thompson<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£18.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Lynn Valley # 6</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> is a collaborative bookwork by New York artists Roe Ethridge and Cheyney Thompson.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:32'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/66"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1060" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3704/9783941263208.jpg" alt="Marlene Dumas"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/67"><b><span style='color:black;text-decoration:none;text-underline:none'>Marlene Dumas</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Tronies<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>In her painting Marlene Dumas primarily devotes herself to human figuration. She does so by starting with photographic reproductions often basing them on works from art history<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:33'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/68"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1061" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3755/9783866784499.jpg" alt="Mary Bauermeister"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/69"><b><span style='color:black;text-decoration:none;text-underline:none'>Mary Bauermeister</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Worlds in a Box<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£36.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The Cologne artist Mary Bauermeister made her mark on the New York art market in the middle of the 1960s. Her 'lens boxes'  wooden boxes, open at the front, containing several visual layers made of glass, with lenses and prisms arranged on top<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:34'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/70"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1062" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3743/9783865608734.jpg" alt="Monica Bonvicini cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/71"><b><span style='color:black;text-decoration:none;text-underline:none'>Monica Bonvicini</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Both Ends<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£32.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Conceptual pieces as well as sculptural works are presented in this monograph. Bonvicini's diversity of form and continuity of content becomes clear in this overview.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:35'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/72"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1063" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3612/9781853322822c.jpg" alt=MOVE></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/73"><b><span style='color:black;text-decoration:none;text-underline:none'>Move</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Choreographing You<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.99 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Move: Choreographing You</span></i><span style='font-size: 9.0pt;font-family:"Arial","sans-serif";color:#666666'> explores the interaction between visual art and dance. Focusing on major visual artists and choreographers who create sculptures and installations that direct the movements of audiences, making them dancers as much as...<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:36'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/74"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1064" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3766/9783865609113.jpg" alt="nigel cooke"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/75"><b><span style='color:black;text-decoration:none;text-underline:none'>Nigel Cooke</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£42.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Nigel Cooke s paintings construct a dark and melancholic world; a deeply psychologised landscape filled with an atmosphere that articulates the trauma of creative dereliction. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:37'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/76"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1065" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3784/9783832190507.jpg" alt="Nolde in Berlin cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/77"><b><span style='color:black;text-decoration:none;text-underline:none'>Nolde in Berlin</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Dance Theatre Cabaret<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Emil Nolde had close ties to Berlin: From 1905 he spent the winter months in the capital. This book gathers works reflecting Berlin's nightlife and includes pictures of his intense visits to the theatre and the dance. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:38'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/78"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1066" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3664/9780863556371.jpg" alt="the edge of the world"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/79"><b><span style='color:black;text-decoration:none;text-underline:none'>On the Edge of the World</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£25.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>This exhibition draws from the rich holdings of the British Council Collection and the Royal Botanic Garden Edinburgh archives for an inspiring glimpse into how the expeditionists of the past and contemporary artists of the present continue to delight<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:39'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/80"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1067" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3717/9783865608321.jpg" alt=painting></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/81"><b><span style='color:black;text-decoration:none;text-underline:none'>Painting</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Process and Expansion<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£32.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Despite all of the doomsday scenarios, painting has proved both flexible and capable of renewing itself. Through confrontation with conceptual and technology based art, the definition of its own boundaries have been analysed and broadened<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:40'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/82"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1068" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3632/INFOASMATERIALMakingNothingHappen.jpg" alt="Making Nothing Happen cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/83"><b><span style='color:black;text-decoration:none;text-underline:none'>Pavel Büchler</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Making Nothing Happen<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£19.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Making Nothing Happen</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> presents the work of internationally exhibited, acclaimed expatriate Czech artist Pavel Büchler. It combines audio documentation, installation photographs, explanatory text, in-depth interviews and critical commentary.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:41'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/84"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1069" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3758/9783866782945.jpg" alt="Strangers in Sight"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/85"><b><span style='color:black;text-decoration:none;text-underline:none'>Petra Bopp: Strangers in Sight / Fremde im Visier</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Photo albums from the Second World War (German edition)<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£29.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>For the first time ever in Germany, this book addresses the aesthetics of private war photography and illustrates the reservoir of previously unknown, visually complex and multifaceted nature of war.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:42'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/86"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1070" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3659/9783832193232.jpg" alt="Porsche Ladies cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/87"><b><span style='color:black;text-decoration:none;text-underline:none'>Porsche Ladies</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£14.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Since the beginnings the Porsche brand, it has not only been men who accompanied and substantiated the automobile manufacturer s fame. This book devotes itself for the first time to the women who made an indelible impression on the Porsche name.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:43'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/88"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1071" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3776/9783865607218.jpg" alt="schmidl jpg"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/89"><b><span style='color:black;text-decoration:none;text-underline:none'>Postwar Exhibition Design: Displaying Dachau</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Martin Schmidl<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£48.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Martin Schmidl writes of the history of exhibition design from 1945 to today and specifically about the exhibition of Nazi atrocities in a concentration camp in Dachau, which mirrors the international development of exhibition design in the last 60 years<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:44'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/90"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1072" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3768/9783865608949.jpg" alt="Rainer Fetting"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/91"><b><span style='color:black;text-decoration:none;text-underline:none'>Rainer Fetting</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Manscapes<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>In addition to their sensual appearance, Rainer Fetting s paintings of men testify to a high degree of compositional reflection.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:45'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/92"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1073" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3793/9780901673787.jpg" alt="Rafael Lozano-Hemmer"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/93"><b><span style='color:black;text-decoration:none;text-underline:none'>Recorders</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Rafael Lozano-Hemmer<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£9.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>This catalogue documents and discusses a specific body of 8 works including 3 new commissions made between 2000 and 2010 by renowned electronic artist, Rafael Lozano-Hemmer where the content is determined by inter-reaction with the audience<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:46'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/94"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1074" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3778/9783865606549.jpg" alt="Rirkrit Tiravanija / Hans Ulrich Obrist"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/95"><b><span style='color:black;text-decoration:none;text-underline:none'>Rirkrit Tiravanija / Hans Ulrich Obrist</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>The Conversation Series: 20<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£16.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>In these conversations, which took place between 1993 and 2008, Rirkrit Tiravanija takes Hans Ulrich Obrist rowing on a lake and on trips in his car -an accurate reflection of this fascinating artist's dynamic working method. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:47'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/96"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1075" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3705/9783941263147.jpg" alt="Rita McBride"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/97"><b><span style='color:black;text-decoration:none;text-underline:none'>Rita McBride</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Previously<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£24.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The American sculptor Rita McBride (born 1960 in Des Moines, Iowa) presents an independent and outstanding position in the field of new sculpture. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:48'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/98"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1076" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3610/9783037641286.jpg" alt="robert morris"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/99"><b><span style='color:black;text-decoration:none;text-underline:none'>Robert Morris</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Bemerkungen zur Skulptur (German edition)<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£11.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The work of American artist Robert Morris seems to find more and more relevance each year. This publication is the first extensive German edition of his legendary texts, which have influenced art and artists alike since the 1960s<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:49'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/100"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1077" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3791/9783832174972.jpg" alt="rodney graham"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/101"><b><span style='color:black;text-decoration:none;text-underline:none'>Rodney Graham</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Collector s Choice Vol. 1<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£37.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Rodney Graham strolls in his works through the landscape of Modernism. On his meandering itinerary we encounter Richard Wagner, Stéphane Mallarmé, Edgar Allen Poe, Sigmund Freud, and Donald Judd.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:50'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/102"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1078" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3617/9783866784628.jpg" alt="Roger Ballen Photographs cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/103"><b><span style='color:black;text-decoration:none;text-underline:none'>Roger Ballen</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Photographs 1969  2009<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£44.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>For more than 30 years, the photographer Roger Ballen has been shooting portraits of the impoverished white population of rural South Africa, of day labourers, security guards and workers who eek out a wretched existence in the so-called Platteland. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:51'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/104"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1079" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3720/9783865608161.jpg" alt="Roni Horn Well and Truly book cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/105"><b><span style='color:black;text-decoration:none;text-underline:none'>Roni Horn</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Well and Truly<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£42.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Roni Horn s most recent groups of work, presented at the exhibition at Kunsthaus Bregenz in 2010, deal with the diversity of identity, language, design and object<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:52'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/106"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1080" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3777/9783865608789.jpg" alt="Rudolf Stingel"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/107"><b><span style='color:black;text-decoration:none;text-underline:none'>Rudolf Stingel</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Neue Nationalgalerie Berlin<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Rudolf Stingel has transformed the unique building of the Neue Nationalgalerie with a bold intervention; covering the entire floor of the large museum hall with a carpet, the pattern of which stems from an original 19th century Indian Agra rug.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:53'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/108"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1081" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3763/9783865608123.jpg" alt="Stephen Balkenhol cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/109"><b><span style='color:black;text-decoration:none;text-underline:none'>Stephan Balkenhol</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Sempre piu<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£25.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Alongside an analysis of Balkenhol s wooden sculpture, the catalogue is dedicated to philosophical and sociological musings with far-reaching implications, for example, the effects of human greed, of wanting  ever more .<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:54'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/110"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1082" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3643/9783869841243.jpg" alt="stephen willats"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/111"><b><span style='color:black;text-decoration:none;text-underline:none'>Stephen Willats</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Art Society Feedback<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£48.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>This publication is the ûrst retrospective and comprehensive compilation of works and writings by British artist Stephen Willats.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:55'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/112"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1083" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3788/9783832193485.jpg" alt="1980s revisited"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/113"><b><span style='color:black;text-decoration:none;text-underline:none'>The 80s Revisited</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>From the Bischofberger Collection<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£47.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The Swiss art dealer Bruno Bischofberger dedicated himself to the art of this young, wild generation and assembled the most significant collection of 1980s art.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:56'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/114"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1084" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3606/9780906630419.jpg" alt="The Book Remembers Everything"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/115"><b><span style='color:black;text-decoration:none;text-underline:none'>The Book Remembers Everything</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>The Work of Erica Van Horn<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£12.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>In the work of Erica Van Horn, books collect and transform remnants, remembrances, remainders and reminders. Published after the Beinecke Library exhibition at Yale University in Spring 2010. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:57'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/116"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1085" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3749/9783866784321.jpg" alt="The Luminous West "></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/117"><b><span style='color:black;text-decoration:none;text-underline:none'>The Luminous West </span></b></a><o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£49.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The Luminous West</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> brings together 33 artists from two generations to provide an overview of the art landscape of the Rhineland and North Rhine-Westphalia.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:58'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/118"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1086" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3652/9780865336418r.jpg" alt="New Silk Road cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/119"><b><span style='color:black;text-decoration:none;text-underline:none'>The New Silk Road 2007 - 2010</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Creative Exchanges <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£4.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The British Council s Architecture, Design, Fashion department has run the New Silk Road Programme for the last four years. The catalogue includes a timeline and description of the events.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:59'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/120"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1087" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3671/9781907468032.jpg" alt="THe Perverse Library cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/121"><b><span style='color:black;text-decoration:none;text-underline:none'>The Perverse Library</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Craig Dworkin<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£10.99 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The Perverse Library</span></i><span style='font-size:9.0pt; font-family:"Arial","sans-serif";color:#666666'> includes Professor Craig Dworkin s bibliography (2,427 titles), a supplementary bibliography of absent and imagined books, and an accompanying essay<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:60'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/122"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1088" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3761/9783865608550.jpg" alt="Thomas Florschuetz cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/123"><b><span style='color:black;text-decoration:none;text-underline:none'>Thomas Florschuetz</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Imperfekt: Werke 1997 - 2010<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£27.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Alongside Gursky, Höfer, Ruff and Struth, Thomas Florschuetz is one of the most important representatives of German documentary photography.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:61'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/124"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1089" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3774/9783865608963.jpg" alt="Thomas Scheibitz"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/125"><b><span style='color:black;text-decoration:none;text-underline:none'>Thomas Scheibitz</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>A Disordered Space / Der ungefegte Raum<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£28.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Thomas Scheibitz is not only a painter and sculptor, but also a passionate bookmaker. In this artist s book, he presents new, mostly unpublished works. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:62'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/126"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1090" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3786/9783832175016.jpg" alt="Thomas Schutte cover"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/127"><b><span style='color:black;text-decoration:none;text-underline:none'>Thomas Schutte</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>Collector's Choice Volume 2<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£37.95 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Here, Ulrich Loock meticulously observes the evolution of Schütte's output over the past 25 years. Underpinning his lucid overview are a series of intensive discussions between author and the artist on the genesis and histories of the single works.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:63'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/128"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1091" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3764/9783865608062.jpg" alt="Vilem Flusser cover image"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/129"><b><span style='color:black;text-decoration:none;text-underline:none'>Vilem Flusser</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>We Shall Survive in the Memory of Others: Flusser Lectures<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£19.50 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>The theories that Flusser presents here focus on the believability of the electronic image, the role of religion and memory, as well as the new language systems and apparatus of the digital avant-garde era.<o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:64'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/130"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1092" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3780/9783865608765.jpg" alt=Vorspannkino></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/131"><b><span style='color:black;text-decoration:none;text-underline:none'>Vorspannkino</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:black'>47 Titles of an Exhibition<o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£29.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><i><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Vertigo, The Pink Panther, James Bond</span></i><span style='font-size:9.0pt;font-family:"Arial","sans-serif";color:#666666'>  are only three examples of a great number of movies with outstanding title sequences that form part of our collective memory. <o:p></o:p></span></p> </div> </td> </tr> <tr style='mso-yfti-irow:65;mso-yfti-lastrow:yes'> <td width=125 valign=top style='width:75.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/132"><span style='color:black;text-decoration:none;text-underline:none'><img border=0 width=100 height=100 id="_x0000_i1093" src="http://www.cornerhouse.org/pictures/_ac-100-100/book/3707/9783941263130.jpg" alt="With a Probability of Being Seen"></span></a><o:p></o:p></span></p> </td> <td width=500 valign=top style='width:300.0pt;padding:0cm 0cm 0cm 0cm'> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"'><a href="http://cornerhouse.glittermail.net/t/Ts5FX14nAEa_cUxWwNxJxw/133"><b><span style='color:black;text-decoration:none;text-underline:none'>With a Probability of Being Seen</span></b></a> <o:p></o:p></span></p> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#757575'>£39.00 <o:p></o:p></span></p> </div> <div> <p class=MsoNormal><span style='font-size:9.0pt;font-family:"Arial","sans-serif"; color:#666666'>Konrad Fischer (1939  1996) created art history in 1967 with the opening of his gallery in Düsseldorf, especially in promoting minimalist and conceptual art.<o:p></o:p></span></p> </div> </td> </tr> </table> </div> </td> </tr> </table> </div> <p class=MsoNormal><span lang=EN-GB style='mso-fareast-font-family:"Times New Roman"; mso-ansi-language:EN-GB'><o:p>&nbsp;</o:p></span></p> </div> </body> </html>